Showing posts with label Leighton Gage. Show all posts
Showing posts with label Leighton Gage. Show all posts

Sunday, August 28, 2011

Youth by Leighton Gage



Youth
 by Leighton Gage

Two roads diverged in a wood, and I,
I took the one less traveled by,
And that has made all the difference.

When I was twenty-three years old, I gave up my employment in New York, flew to Europe and bought a bicycle.

I left a plum job, the kind most kids in my college graduating class would have killed for. My bosses at ABC-TV told me I was crazy. And so did my mother.

The values of their generation were forged in the Great Depression and tempered by the Second World War.  For them, you didn’t waste your college education by going off to bum around Europe. College educations weren’t about learning. They were the keys to the door to the good life.

But this was the sixties. Young people were in revolt. And so was I.

I ignored their advice – and went.

The cheap way to get from the U.S. to Europe, in those days, was to fly Icelandic Airlines. Their aircraft were Lockheed Constellations, prop planes that stopped in Reykjavik to refuel. After what seemed like an interminable journey, I landed in Luxembourg.

I bought my bike there, and struck out, first, for Amsterdam. Then back through Belgium again, and through France to the Mediterranean coast. Arriving in Marseilles, I bordered the water, through Cannes, through Nice, through Monaco into Italy. I kept going south through Rome and Naples to below Sorrento. Then I crossed Italy to Bari and went North, to Trieste, and into Yugoslavia. From Yugoslavia to Austria. From Austria to Germany. All by bicycle.

A year after I started, I ran out of money in Munich.

I sold my bicycle for money to eat.

I worked in a laundry, worked in a distillery, drove a truck. I enrolled in the Goethe Institute at night and became fluent in my first foreign language, German.

And, when I’d saved up enough money, I went off to Spain and hitchhiked around the country.

Arthur Frommer had published Europe on Five Dollars a Day a few years earlier. That, for someone on a two week vacation might have sounded cheap, but, to me, five bucks was an extravagance. I seldom spent more than two-and-a-half.

And I never spent more when I was in Spain. The peseta was at sixty to the dollar. You could get decent wine for four pesetas a liter and very decent wine for six. Of course, you had to bring your own bottle.

Or bota.
Ever drink wine out of a bota? If you never have, my advice is – don’t. To make sure they don’t leak, they’re sealed with tar. I kid you not. Tar. If you don’t “cure” them by pouring away your first liter or two, and if you don’t drink the wine you replace it with very  quickly, it tastes dreadful.

It used to be the custom to toss botas into the bull ring to salute a matador after he’d made a particularly skillful kill. The matador would take a drink and then toss the bota back to the owner. I don’t think it’s done anymore. Too many matadors gulping too much bad wine.

I remember one time, in Aranjuez, when I tossed a bota to El Cordobes. And the poor guy drank from it. From the look on his face, I remain convinced he would rather have confronted one of Don Eduardo Miura’s finest.

But I digress.

Between hitchhiking and a bicycle, I recommend the bicycle. Not so much because you can control your own progress, although that’s also true, but because touring bikes tend to have very narrow seats of hard leather, and even for a well conditioned derriere they get to be pretty darned uncomfortable after twenty or thirty kilometers.

So you’re always looking for a good excuse to get off.

And, moving slowly as one does on a bicycle, there are always exciting things to find.

Those cherries in the tree next to the road.
That little café hidden in a side street of that little village.
The stream of clear water where you can lie prone on some mossy stones, stick your face into the water and drink your fill.

Things that sustain the body.
And things that sustain the mind.

I remember an abandoned Jewish cemetery, below a dyke in South Holland, where the dates on the tombstones abruptly stopped in 1943. I was standing there, in the high grass, deciphering the others, when the impact of that came home to me.

And there was that other stone I saw, half-hidden in more grass, near a small town in France. I would surely have missed it had I not been on a bike. The inscription told me that on the 13th of May, 1944, on that very spot, seventeen people had been shot by “the cowardly bandits of the SS”. (I’m translating that from the French.) One of them was thirteen years old.
 
Languages opened worlds to me.

I learned Dutch from my first wife, taught English to my second.

One of the great frustrations of my mother’s life was that she couldn’t communicate with her grandchildren when they were very young. My first three kids were raised speaking Dutch, the last two speaking Portuguese. And those are languages we still use among ourselves to this very day.

When I first set foot in Europe, I intended to stay “away” for about six months.
But...

It's like a book, I think, this bloomin' world,
Which you can read and care for just so long,
But presently you feel that you will die
Unless you get the page you're readin' done,
An' turn another -- likely not so good;
But what you're after is to turn 'em all.

I wound up living “abroad” for most of my life.

And I can tell you, with absolute certainty, that ignoring the advice of my elders, and following my own inclination, might well have been, in a life of good things, the single best thing I’ve ever done.

Which is why, these days, I’m always cautious when I give advice to my children.

The passage that begins this piece is from Robert Frost’s The Road Not Taken; the one near the end is from Rudyard Kipling’s Sestina of the Tramp-Royal.

 
Leighton Gage lives near São Paulo and writes crime novels featuring the Brazilian Federal Police. The New York Times has called his books “top-notch”, “entirely absorbing”, and “irresistible”. His fifth, A Vine in the Blood, will be launched in hard cover, in the United States, in December. It’s already available in most other places as a Kindle book, on Amazon.


Friday, August 27, 2010

The Secret of Good Writing . . . by Leighton Gage

Leighton Gage is the author of the Chief Inspector Mario Silva Series, police procedurals set in Brazil.

He loves to communicate with people, which may be one of the reasons why he is fluent in three languages and conversant in three more.

He loves to travel, even to places that other folks may not find particularly appealing. He visited Spain in the time of Franco, Portugal in the time of Salazar, South Africa in the time of apartheid, Chile in the time of Pinochet, Argentina in the time of the junta, Prague, East Germany and Yugoslavia under the Communist yoke and lived in Brazil during the time of the military government.

He and his Brazilian-born wife spend much of the year in a small town near São Paulo and the remainder visiting children and grandchildren who live in three other countries.



The Secret of Good Writing…


…is rewriting

Ernest Hemingway rewrote the first chapter of For Whom the Bell Tolls twenty-two times. When asked, How come? The Master said, Because I couldn’t get the words right.

I cannot think of a better way to put it.

It takes me a year to write each of my books.

I work from outlines. I know how a book is going to end before I sit down to write it. I generally have the first draft on paper within six months of developing the overall concept.

The rest of the time I spend on getting the words right.

A friend of mine, a woman whose writing rhythm is much like my own, told me of a signing she’d done with another author. He said to her, I write three books a year. Do you think your books are three times better than mine?

Flabbergasted (great word, that. How often do you get to use a word like flabbergasted?) she was unable to give Mr. Fecundity the kind of answer he deserved.

Backward, turn backward,
Oh, time in thy flight,
I’ve thought of a comeback
I needed last night!
             - F. G. Kernan

A sweet and simple Yes would have sufficed.

It would have been true as well.

Each of her books is three times better than anything that gentleman (gentleman?) has ever written.

He’s able to grind out his three books a year because he doesn’t re-write any of them.

There was a cartoon, years ago, in The New Yorker. It showed a diminutive French sculptor. (You know he’s French because he’s got a little moustache and is wearing a beret.) He’s up on a high ladder with a mallet in one hand and a chisel in the other. His wife, hands on hips, is standing in the doorway of his studio. The huge statue he’d been working on has just split down the middle. Her line: There you go again, Pierre. You and your ‘one more tap’.

I identify 100% with that gentleman.

I don’t have a beret or a moustache, but that’s me.

One More Tap Gage. (My taps are on keyboards.)

With every book, I keep on tapping until my publisher tells me the galleys are set in stone.

I think all of us should do likewise. We owe it to our readers.

A few years ago a gentleman I knew wrote a novel. His first and only. He developed a great premise, wrote it in a furious one-off, and submitted it to agents. And received the usual rejections.

Impatient, he self-published – and, only then, did he ask me to critique it.

I owed this guy. So I did it. I read his work, made copious notes and composed myself for a long session with him. Fifteen minutes in, he started to balk.

“I already wrote it once,” he said. “I don’t want to write the damned thing all over again.”

I told him what I tell anyone who considers embracing this profession: If you’re not prepared to write your book all over again, don’t waste your time writing it in the first place.

He wasn’t so prepared. He gave up.

Here’s a photo of me at work.



See that stack of paper? That’s a clue, that I’m revising, maybe for the fifth or sixth time. I don’t remember which draft it was, but I do remember the book I was working on: Every Bitter Thing, the fourth in the Chief Inspector Mario Silva series.

Like all the others, it took months to get the words right.

Our shopping lists, my grandchildren’s drawings, my daily notes, messages that my wife and I leave for each other – all are on the back of marked-up manuscript pages. The mother lode of the entire neighborhood’s supply of scrap paper is located in my office. Every book yields a stack half as tall as the working surface of my writing desk. I bought a laser printer because I got tired of waiting for manuscripts to print-out on my aged inkjet.

I have never seen a single page of my prose that I didn’t think I could improve upon by re-writing.

Including what I’m writing now.

I’ll put it aside for a few days when I’ve finished banging it out.

And then I’ll tap, tap, tap.

And tap again before I send it off to Kaye.

And, since you, Dear Reader, are unlikely to honor me by putting it on a shelf in your home, or paying to acquire it, I figure I can take some liberties with it.

By not revising this post anywhere near as much as I would a book.

Knowing me, that means I’m going to blush when I see it up on Meanderings and Muses.

Should I have begun three phrases in succession with the word And?

Should I have kicked-off the post with the description of the cartoon instead of the quote from Hemingway?

Stuff like that.

There’s always a good deal to consider, even in a short post like this one.

Rewriting.

It’s not only the secret of good writing.

It’s the soul of writing well.

Sunday, February 22, 2009

Linda Fairstein - Lethal Legacy Tour


Linda Fairstein is the author of the internationally bestselling crime novels featuring Manhattan's sex crimes prosecutor, Alex Cooper. LETHAL LEGACY, published on February 10th, is the eleventh novel in the award-winning series.

Fairstein, who lives in Manhattan and on Martha's Vineyard, held that same prosecutorial job for thirty years. She is also the author of SEXUAL VIOLENCE: OUR WAR AGAINST RAPE, which was a New York Times Notable Book of the Year.

She's also a legal commentator for the major television and cable networks. Her website is www.lindafairstein.com

Linda Fairstein - Touring

I’m one of those authors who simply loves being on a book tour. My prosecutorial life (thirty years in the Manhattan District Attorney’s Office) was as wonderfully collegial as I try to show through Alex Cooper’s relationships with her friends in the office and the NYPD. The writer’s life is often quite solitary – a really good day is when no one calls or shows up in the ‘bat cave’, where I hibernate to do my work. So I love the moment when the boxes of new books are opened (just two weeks ago, on February 10th) and they pop onto shelves in libraries and bookstores, while I get to travel around and talk to the nice people who love to read as much as I do.

This time, the meanderings have been especially delightful. The night before the tour began, the dazzling New York Public Library…the setting for Coop’s latest caper…feted me with a wonderful event and cocktail party. One of my favorite writers, the brilliant Anna Quindlen, interviewed me in front of a live audience – about both careers. It was lively and wonderful fun (and I think you can find it shortly on the nypl.org website, as well as my own). Frankly, after all the deadly discoveries I made at that elegant library, I really wasn’t sure they would ever let me in the front door ever again.

I wrangled with Don Imus – which is always a hilarious experience for me; got bounced from the TODAY SHOW because A-Rod’s steroid story broke (grrrrrrrrrr – and I’m a Yankee fan, too); and have gotten a lot of media requests because of my legal specialties – sexual assault and domestic violence – so you’ll catch me commenting on many of the breaking news stories, with a bit of the book jacket showing on screen.

My first day is always in Manhattan, doing local media and bouncing in and out of bookstores like a complete maniac to sign copies and greet my favorite booksellers. A delightful aspect of this tour has been how many other authors I’ve gotten to hang out with in just these first ten days. The fabulous Karin Slaughter came to my first signing in New York (I think she’s smart and funny and a really fine writer)…so I dragged her to dinner later that night to celebrate the launch. Then down to Washington, DC, where my beloved friend Jane Stanton Hitchcock entertained me at home between signings. She is Alex Cooper’s great pal, Joan Stanton – and the author of wonderful books like SOCIAL CRIMES…and this coming summer’s perfect read – MORTAL FRIENDS.

Then it was off to Denver – a great book city and the chance to have my two grandsons be my valentines on Saturday night. At my signing at Murder by the Book, one of my ‘fans’ turned out to be CJ Box’s mother-in-law, so she didn’t even have to twist my arm to get me to buy his latest. Phoenix next – I just love the Poisoned Pen, and Barbara Peters has been one of my biggest rooters since the very first book in the series. She pulled out quite a crowd for me…also podcast on her site…and then, at dinner, Dana Stabenow showed up, so we got to talk crime all night – and Dana signed her latest for me – WHISPER TO THE BLOOD. Still a hoot for me to meet the authors whose books I love to read.

Less than twenty-four hours in sunny Phoenix, and on to the deluge that happened last week in San Francisco. At M is for Mystery, I did a duo event with Leighton Gage, whom I had not met before (but if you can catch him on tour…go listen – he’s so interesting and charming), and got on the plane with his second in series, BURIED STRANGERS. It’s quite a terrific tale…and for those of you who love to be transported to a new locale in your books, he gives us Brazil with a marvelous sense of place. In the audience at M was a debut novelist named Kelli Stanley, whose first book was the well-received NOX DORMIENDA – a long night for sleeping. It’s next up on my TBR pile and such fun to meet a bright young author who is already finished with her second manuscript.

I only had one weird moment on the trip (so far). After a night at the Poisoned Pen and a divine home-cooked meal by Barbara Peter's husband, Rob Rosenwald, I got to my very fancy hotel room. It was almost midnight, and I was unpacked and undressed when I noticed that the lock on my door was broken. Not only did the prosecutor in me freak out a bit, but this month, in the column that I frequently write for COSMOPOLITAN Magazine, the cases I used were all crimes that happened to women traveling for business - attacked in hotels. There was no one from maintenance around to fix the lock, and way too late to change rooms. If you could have seen me barricading the door with chairs and tables - well, it was quite a sight. Coop would have been much more fearless, I'm sure. Then I opened the mini-bar to shore myself up with a Dewar's, only to find that the turn-down service did not include a bucket of ice. I drank it neat...and it helped!

As I write this, I’m enjoying a two-day rendezvous at home with my husband, and will hit the road again this week for points south. I love meeting readers, talking about books, getting recommendations of what to read, and finding all these other talents along the way. Crime writers are all my muses, along with the librarians to whom LETHAL LEGACY is dedicated…and I will joyfully get on with my meanderings for the next several weeks. Hope to bump into some of you along the way. Thanks to Kaye for inviting me to her site!


New York Public Library Lions Patience and Fortitude. The marble lions were designed by
sculptor Edward Clark Potter and carved from Tennessee Pink marble by the Piccirilli Brothers in 1911.



Mayor Fiorello LaGuardia named the Library mascots Patience and Fortitude for the attributes he thought every New Yorker should possess.