Wednesday, February 4, 2026
A day for poetry
Monday, February 2, 2026
Loving Hugo Marston
In case you think I've stopped reading in order to rant and rave against fat ugly hateful evil men in corrupt government positions, you'd be wrong.
In between rants, raves, letter writing and phone calls to members of congress, there's always time for a good book.
A girl makes time to do what needs to be done AND what she wants to do. Otherwise, its just making excuses.
So.
Here's my latest -
I have had a huge crush on Hugo Marston since Mark Pryor introduced him in THE BOOKSELLER in 2012.
I'm a fan of Mr. Pryor's work and have enjoyed everything he's written, but as far as fictional boyfriends go, Hugo owns my heart. And he's back! Yay!
Thanks to NetGalley, I was able to enjoy the first in this new series and it was worth the wait.
Description from NetGalley.com
Hugo Marston, former head of security at the U.S. embassy in Paris, has retired and is ready to realize his lifelong dream of owning a mystery and antiquarian bookshop. But when a blackmail scheme targeting a chocolatier leads to murder, Hugo is again called to investigate in the first Paris Bookshop Mystery for readers of Charles Finch, Tasha Alexander, and Lev AC Rosen.
Hugo has led an exciting life as an FBI profiler and the US embassy’s head of security, but now he’s ready to embrace a quieter existence as a bookseller in the Marais district of Paris. His former employer, however, has other plans for him. A prominent American citizen is the COO of a boutique chocolate emporium in Paris, where they’ve received a mysterious and threatening note. A blackmailer who goes by the name The Shadow wants half a million euros or else their “darkest secret will be revealed.”
Eclat de Chocolat is housed in a chateau dating back to the 1700s. The building, which served as a convent in the first half of the twentieth century, where the angelic Sister Evangeline and her order of nuns helped countless orphans during World War II, has been beautifully converted into a chocolate factory. So what dark secrets could a chocolatier be hiding? The COO has no idea.
Involving his friend, Lieutenant Camille Lerens, Hugo begins to investigate. But soon a second note appears on the premises, canceling the blackmail threat. The same day, the body of an employee is found in an old graveyard behind the chocolatier. Now Hugo and Lerens have a murder on their hands, but is it connected to the blackmail attempt? As they dig for secrets and motives, it becomes clear The Shadow’s grave work has just begun . . .
Saturday, January 31, 2026
Thursday, January 29, 2026
Use the good china," she said,
"Use the good china,"
she said,
as I set out the
teapot,
the cups and saucers,
the sugar bowl
(with those wonderful cubes
of Demerara piled high),
the milk, and the lemon
off to one side,
with a plate to pinwheel cookies,
their sides glinting
with that extra crunch.
It was just
the two of us,
sitting on this gloomy
day,
the fog hiding
the next-door neighbour's
porch light
and the ball of
the afternoon sun.
"Use the good china,"
she repeated,
"this is the perfect occasion!"
"Occasion," I repeated,
the question in my tone,
and my slightly furrowed
eyebrows.
"The world continues to spin.
The sun rose,
and the night sky will
come again...
and, in between,
we will have a million chances
to change the world
for the better.
Isn't that an occasion
to be celebrated,
today
and every day?
Use the good china, lad."
And we picked up our cups,
(the ones you can see the light through),
and marveled at the beauty
we held in our hands,
as we sipped and supped.
And, refreshed,
we made our way into the gloom,
the murk and the haze,
to see what we could do,
if we shone just a bit of light,
and a whole lot of love,
a moment of joy
on our lips,
and in our hearts.
Use the good china, friends.
- - - Richard Bott
Tuesday, January 27, 2026
Johann Wolfgang von Goethe said . . .
So here's my choices for today -
A little song
A good poem
A fine picture
Friday, January 23, 2026
Home. Snow. ❤ Photos and Poetry (EDITED)
SNOW AND SNOW
by Ted Hughes
Snow is sometimes a she, a soft one.
Her kiss on your cheek, her finger on your sleeve
In early December, on a warm evening,
And you turn to meet her, saying "It''s snowing!"
But it is not. And nobody''s there.
Empty and calm is the air.
Sometimes the snow is a he, a sly one.
Weakly he signs the dry stone with a damp spot.
Waifish he floats and touches the pond and is not.
Treacherous-beggarly he falters, and taps at the window.
A little longer he clings to the grass-blade tip
Getting his grip.
Then how she leans, how furry foxwrap she nestles
The sky with her warm, and the earth with her softness.
How her lit crowding fairylands sink through the space-silence
To build her palace, till it twinkles in starlight—
Too frail for a foot
Or a crumb of soot.
Then how his muffled armies move in all night
And we wake and every road is blockaded
Every hill taken and every farm occupied
And the white glare of his tents is on the ceiling.
And all that dull blue day and on into the gloaming
We have to watch more coming.
Then everything in the rubbish-heaped world
Is a bridesmaid at her miracle.
Dunghills and crumbly dark old barns are bowed in the chapel of her sparkle.
The gruesome boggy cellars of the wood
Are a wedding of lace
Now taking place.
began here
this morning and all day
continued, its white
rhetoric everywhere
calling us back to why, how,
whence such beauty and what
the meaning; such
an oracular fever! flowing
past windows, an energy it seemed
would never ebb, never settle
less than lovely! and only now,
deep into night,
it has finally ended.
The silence
is immense,
and the heavens still hold
a million candles, nowhere
the familiar things:
stars, the moon,
the darkness we expect
and nightly turn from. Trees
glitter like castles
of ribbons, the broad fields
smolder with light, a passing
creekbed lies
heaped with shining hills;
and though the questions
that have assailed us all day
remain — not a single
answer has been found –
walking out now
into the silence and the light
under the trees,
and through the fields,
feels like one.
I ride along in the backseat; the aunt who can drive
picks up each sister at her door, keeps the Pontiac
chugging in each driveway while one or the other
slips into her overshoes and steps out,
closing her door with a click, the wind
lifting the fringe of her white cotton scarf
as she comes down the sidewalk, still pulling on her
new polyester Christmas-stocking mittens.
We have no business to be out in such a storm,
she says, no business at all.
The wind takes her voice and swirls it
like snow across the windshield.
We’re on to the next house, the next aunt,
the heater blowing to beat the band.
At the last house, we play canasta,
the deuces wild even as they were in childhood,
the wind blowing through the empty apple trees,
through the shadows of bumper crops. The cards
line up under my aunts’ finger bones; eights and nines and aces
straggle and fall into place like well-behaved children.
My aunts shuffle and meld; they laugh like banshees,
as they did in that other kitchen in the 30’s that
day Margaret draped a dishtowel over her face
to answer the door. We put her up to it, they say,
laughing; we pushed her. The man—whoever he was—
drove off in a huff while they laughed ’til they hiccupped,
laughing still—I’m one of the girls laughing him down the sidewalk
and into his car, we’re rascals sure as farmyard dogs,
we’re wild card-players; the snow thickens,
the coffee boils and perks, the wind is a red trey
because, as one or the other says,
We are getting up there in the years; we’ll
have to quit sometime. But today,
today,
deal, sister, deal.
Snowy Night by Mary Oliver
in the blue dark
tossed an indeterminate number
the world, in which,
a quarter of a mile away, I happened
to be standing.
which one it was –
the barred or the great-horned
ship of the air –
aren’t there moments
that are better than knowing something,
and sweeter? Snow was falling,
filling the dark trees
that one could easily imagine
its reason for being was nothing more
if this were someone else’s story
they would have insisted on knowing
whatever is knowable – would have hurried
to name it – the owl, I mean.
But it’s mine, this poem of the night,
and I just stood there, listening and holding out
falling through the air. I love this world,
but not for its answers.
And I wish good luck to the owl,
and I wish great welcome to the snow,
whatever its severe and comfortless
under the lamppost
piled up like a white beaver hat on the picnic table
or somewhere slowly falling
into the brook
to be swallowed by water,
then you have seen beauty
and know it for its transience.
And if you have gone out in the snow
for only the pleasure
of walking barely protected
from the galaxies,
the flakes settling on your parka
like the dust from just-born stars,
the cold waking you
as if from long sleeping,
then you can understand
how, more often than not,
truth is found in silence,
how the natural world comes to you
if you go out to meet it,
its icy ditches filled with dead weeds,
its vacant birdhouses, and dens
full of the sleeping.
But this is the slowed down season
held fast by darkness
and if no one comes to keep you company
then keep watch over your own solitude.
In that stillness, you will learn
with your whole body
the significance of cold
and the night,
which is otherwise always eluding you.
SNOW DAY
by Billie Collins
Today we woke up to a revolution of snow,
its white flag waving over everything,the landscape vanished,
not a single mouse to punctuate the blankness,
and beyond these windows
the government buildings smothered,
schools and libraries buried, the post office lost
under the noiseless drift,
the paths of trains softly blocked,
the world fallen under this falling.
In a while I will put on some boots
and step out like someone walking in water,
and the dog will porpoise through the drifts,
and I will shake a laden branch,
sending a cold shower down on us both.
But for now I am a willing prisoner in this house,
a sympathizer with the anarchic cause of snow.
I will make a pot of tea
and listen to the plastic radio on the counter,
as glad as anyone to hear the news
that the Kiddie Corner School is closed,
the Ding-Dong School, closed,
the All Aboard Children's School, closed,
the Hi-Ho Nursery School, closed,
along with - some will be delighted to hear -
the Toadstool School, the Little School,
Little Sparrows Nursery School,
Little Stars Pre-School, Peas-and-Carrots Day School,
the Tom Thumb Child Center, all closed,
and - clap your hands - the Peanuts Play School.
So this is where the children hide all day,
These are the nests where they letter and draw,
where they put on their bright miniature jackets,
all darting and climbing and sliding,
all but the few girls whispering by the fence.
And now I am listening hard
in the grandiose silence of the snow,
trying to hear what those three girls are plotting,
what riot is afoot,
which small queen is about to be brought down.
| Harley was such a good boy ❤ And loved the snow |
An opaque dust sheet floats so light
Upon the roofs and lamps and cars.
It settles so softly like falling stars.
It sneaks in crevices and onto window sills.
Piles up in soft layers over roads and hills,
Weighs down branches, envelopes bark,
Skips and flutters across the depth of dark.
With dawn a scene of raw meringue.
From bough and bridge and roof does hang.
Through night's deep slumber - a silent world
Descended - a ghostly shroud unfurled.
In slow motion, life begins to show.
The traffic crawls in a funereal row.
Children squeal in soundless delight.
Pedestrians slide in voiceless fright.
A world transformed into monochrome,
An aerosol sky spraying its white foam,
Floating in breathless, boundless speed,
Submerging all with voracious greed.
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