Showing posts with label Tony Hoagland. Show all posts
Showing posts with label Tony Hoagland. Show all posts

Wednesday, April 14, 2021

A Color of the Sky



Windy today and I feel less than brilliant,
driving over the hills from work.
There are the dark parts on the road
when you pass through clumps of wood
and the bright spots where you have a view of the ocean,
but that doesn’t make the road an allegory.


I should call Marie and apologize
for being so boring at dinner last night,
but can I really promise not to be that way again?
And anyway, I’d rather watch the trees, tossing
in what certainly looks like sexual arousal.

Otherwise it’s spring, and everything looks frail;
the sky is baby blue, and the just-unfurling leaves
are full of infant chlorophyll,
the very tint of inexperience.

Last summer’s song is making a comeback on the radio,
and on the highway overpass,
the only metaphysical vandal in America has written
MEMORY LOVES TIME
in big black spraypaint letters,

which makes us wonder if Time loves Memory back.

Last night I dreamed of X again.
She’s like a stain on my subconscious sheets.
Years ago she penetrated me
but though I scrubbed and scrubbed and scrubbed,
I never got her out,
but now I’m glad.

What I thought was an end turned out to be a middle.
What I thought was a brick wall turned out to be a tunnel.
What I thought was an injustice
turned out to be a color of the sky.

Outside the youth center, between the liquor store
and the police station,
a little dogwood tree is losing its mind;

overflowing with blossomfoam,
like a sudsy mug of beer;
like a bride ripping off her clothes,

dropping snow white petals to the ground in clouds,

so Nature’s wastefulness seems quietly obscene.
It’s been doing that all week:
making beauty,
and throwing it away,
and making more.




BY TONY HOAGLAND

Friday, October 26, 2018

R.I.P. Tony Hoagland



“The speechless marvels of nature, and the serious conversation of friends—these are two of the sweetest things in life.”
— Tony Hoagland, interview in the Kenyon Review.


Windchime
By Tony Hoagland
She goes out to hang the windchime
in her nightie and her work boots.
It’s six-thirty in the morning
and she’s standing on the plastic ice chest
tiptoe to reach the crossbeam of the porch,
windchime in her left hand,
hammer in her right, the nail
gripped tight between her teeth
but nothing happens next because
she’s trying to figure out
how to switch #1 with #3.
She must have been standing in the kitchen,
coffee in her hand, asleep,
when she heard it—the wind blowing
through the sound the windchime
wasn’t making
because it wasn’t there.
No one, including me, especially anymore believes
till death do us part,
but I can see what I would miss in leaving—
the way her ankles go into the work boots
as she stands upon the ice chest;
the problem scrunched into her forehead;
the little kissable mouth
with the nail in it.


Reasons to Survive November
November like a train wreck–
as if a locomotive made of cold
had hurtled out of Canada
and crashed into a million trees,
flaming the leaves, setting the woods on fire.
The sky is a thick, cold gauze–
but there’s a soup special at the Waffle House downtown,
and the Jack Parsons show is up at the museum,
full of luminous red barns.
–Or maybe I’ll visit beautiful Donna,
the kickboxing queen from Santa Fe,
and roll around in her foldout bed.
I know there are some people out there
who think I am supposed to end up
in a room by myself
with a gun and a bottle full of hate,
a locked door and my slack mouth open
like a disconnected phone.
But I hate those people back
from the core of my donkey soul
and the hatred makes me strong
and my survival is their failure,
and my happiness would kill them
so I shove joy like a knife
into my own heart over and over
and I force myself toward pleasure,
and I love this November life
where I run like a train
deeper and deeper
into the land of my enemies.
–Tony Hoagland


November 19, 1953  -  October 23, 2018


Tuesday, April 26, 2016

Windchime

Windchime

By Tony Hoagland

She goes out to hang the windchime
in her nightie and her work boots.
It’s six-thirty in the morning
and she’s standing on the plastic ice chest
tiptoe to reach the crossbeam of the porch,

windchime in her left hand,
hammer in her right, the nail
gripped tight between her teeth
but nothing happens next because
she’s trying to figure out
how to switch #1 with #3.

She must have been standing in the kitchen,
coffee in her hand, asleep,
when she heard it—the wind blowing
through the sound the windchime
wasn’t making
because it wasn’t there.

No one, including me, especially anymore believes
till death do us part,
but I can see what I would miss in leaving—
the way her ankles go into the work boots
as she stands upon the ice chest;
the problem scrunched into her forehead;
the little kissable mouth
with the nail in it.

Thursday, April 16, 2015

Windchime By Tony Hoagland



She goes out to hang the windchime
in her nightie and her work boots.
It’s six-thirty in the morning
and she’s standing on the plastic ice chest
tiptoe to reach the crossbeam of the porch,

windchime in her left hand,
hammer in her right, the nail
gripped tight between her teeth
but nothing happens next because
she’s trying to figure out
how to switch #1 with #3.

She must have been standing in the kitchen,
coffee in her hand, asleep,
when she heard it—the wind blowing
through the sound the windchime
wasn’t making
because it wasn’t there.

No one, including me, especially anymore believes
till death do us part,
but I can see what I would miss in leaving—
the way her ankles go into the work boots
as she stands upon the ice chest;
the problem scrunched into her forehead;
the little kissable mouth
with the nail in it.

Tuesday, April 10, 2012

In Honor of National Poetry Month - Tony Hoagland

Windchime

By Tony Hoagland

She goes out to hang the windchime
in her nightie and her work boots.
It’s six-thirty in the morning
and she’s standing on the plastic ice chest
tiptoe to reach the crossbeam of the porch,

windchime in her left hand,
hammer in her right, the nail
gripped tight between her teeth
but nothing happens next because
she’s trying to figure out
how to switch #1 with #3.

She must have been standing in the kitchen,
coffee in her hand, asleep,
when she heard it—the wind blowing
through the sound the windchime
wasn’t making
because it wasn’t there.

No one, including me, especially anymore believes
till death do us part,
but I can see what I would miss in leaving—
the way her ankles go into the work boots
as she stands upon the ice chest;
the problem scrunched into her forehead;
the little kissable mouth
with the nail in it.

Friday, October 28, 2011

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Windchime

She goes out to hang the windchime
in her nightie and her work boots.
It’s six-thirty in the morning
and she’s standing on the plastic ice chest
tiptoe to reach the crossbeam of the porch,

windchime in her left hand,
hammer in her right, the nail
gripped tight between her teeth
but nothing happens next because
she’s trying to figure out
how to switch #1 with #3.

She must have been standing in the kitchen,
coffee in her hand, asleep,
when she heard it—the wind blowing
through the sound the windchime
wasn’t making
because it wasn’t there.

No one, including me, especially anymore believes
till death do us part,
but I can see what I would miss in leaving—
the way her ankles go into the work boots
as she stands upon the ice chest;
the problem scrunched into her forehead;
the little kissable mouth
with the nail in it.