Life While-You-Wait by Wislawa Szymborska

  

Life While-You-Wait.

Performance without rehearsal.

Body without alterations.

Head without premeditation.

I know nothing of the role I play.

I only know it’s mine. I can’t exchange it.

I have to guess on the spot

just what this play’s all about.

Ill-prepared for the privilege of living,

I can barely keep up with the pace that the action demands.

I improvise, although I loathe improvisation.

I trip at every step over my own ignorance.

I can’t conceal my hayseed manners.

My instincts are for happy histrionics.

Stage fright makes excuses for me, which humiliate me more.

Extenuating circumstances strike me as cruel.

Words and impulses you can’t take back,

stars you’ll never get counted,

your character like a raincoat you button on the run —

the pitiful results of all this unexpectedness.

If only I could just rehearse one Wednesday in advance,

or repeat a single Thursday that has passed!

But here comes Friday with a script I haven’t seen.

Is it fair, I ask

(my voice a little hoarse,

since I couldn’t even clear my throat offstage).

You’d be wrong to think that it’s just a slapdash quiz

taken in makeshift accommodations. Oh no.

I’m standing on the set and I see how strong it is.

The props are surprisingly precise.

The machine rotating the stage has been around even longer.

The farthest galaxies have been turned on.

Oh no, there’s no question, this must be the premiere.

And whatever I do

will become forever what I’ve done.

Life While-You-Wait by Wislawa Szymborska

 

Life While-You-Wait.

Performance without rehearsal.

Body without alterations.

Head without premeditation.

I know nothing of the role I play.

I only know it’s mine. I can’t exchange it.

I have to guess on the spot

just what this play’s all about.

Ill-prepared for the privilege of living,

I can barely keep up with the pace that the action demands.

I improvise, although I loathe improvisation.

I trip at every step over my own ignorance.

I can’t conceal my hayseed manners.

My instincts are for happy histrionics.

Stage fright makes excuses for me, which humiliate me more.

Extenuating circumstances strike me as cruel.

Words and impulses you can’t take back,

stars you’ll never get counted,

your character like a raincoat you button on the run —

the pitiful results of all this unexpectedness.

If only I could just rehearse one Wednesday in advance,

or repeat a single Thursday that has passed!

But here comes Friday with a script I haven’t seen.

Is it fair, I ask

(my voice a little hoarse,

since I couldn’t even clear my throat offstage).

You’d be wrong to think that it’s just a slapdash quiz

taken in makeshift accommodations. Oh no.

I’m standing on the set and I see how strong it is.

The props are surprisingly precise.

The machine rotating the stage has been around even longer.

The farthest galaxies have been turned on.

Oh no, there’s no question, this must be the premiere.

And whatever I do

will become forever what I’ve done.

Photo by Don Barley

Utopia by Wislawa Szymborska

Utopia

Island where all becomes clear.

Solid ground beneath your feet.

The only roads are those that offer access.

Bushes bend beneath the weight of proofs.

The Tree of Valid Supposition grows here
with branches disentangled since time immemorial.

The Tree of Understanding, dazzlingly straight and simple,
sprouts by the spring called Now I Get It.

The thicker the woods, the vaster the vista:
the Valley of Obviously.

If any doubts arise, the wind dispels them instantly.

Echoes stir unsummoned
and eagerly explain all the secrets of the worlds.

On the right a cave where Meaning lies.

On the left the Lake of Deep Conviction.
Truth breaks from the bottom and bobs to the surface.

Unshakable Confidence towers over the valley.
Its peak offers an excellent view of the Essence of Things.

For all its charms, the island is uninhabited,
and the faint footprints scattered on its beaches
turn without exception to the sea.

As if all you can do here is leave
and plunge, never to return, into the depths.

Into unfathomable life.

By Wislawa Szymborska
From "A large number", 1976
Translated by S. Baranczak & C. Cavanagh

Photograph From September 11 - Poem by Wislawa Szymborska

They jumped from the burning floors—
one, two, a few more,
higher, lower.

The photograph halted them in life,
and now keeps them
above the earth toward the earth.

Each is still complete,
with a particular face
and blood well hidden.

There's enough time
for hair to come loose,
for keys and coins

to fall from pockets.

They're still within the air's reach,

within the compass of places
that have just now opened.

I can do only two things for them—
describe this flight
and not add a last line.


by Wislawa Szymborska
Translated By: Clare Cavanagh And Stanislaw Baranczak