Showing posts with label Dame Laura Knight. Show all posts
Showing posts with label Dame Laura Knight. Show all posts

Wednesday, November 15, 2023

No one told me


Painted by Artist Dame Laura Knight



 No one told me 

it would be like this— 

how growing older

is another passage

of discovery

and that aging is one

grand transformation,

and if some things become torn apart

lost along the way,

many other means show up 

to bring me closer 

to the center of my heart.


No one ever told me

if whatever wonder 

waits ahead

is in another realm

and outside of time.

But the amazement, I found,

is that the disconcerting things 

within the here and now 

that I stumble 

and trip my way 

through, also

lead me 

gracefully

home.


And no one told me 

that I would ever see

an earth so strong 

and fragile, or

a world so sad 

and beautiful.

And I surely

didn't know 

I'd have

all this life 

yet in me

or such fire

inside my 

bones.


            ~  Susan Frybort






Wednesday, January 26, 2022

The Joy of Discovery


 Discovering a new piece of music, a new author, a new artist - anything previously unknown to us - can bring us a bit of joy.

I have found, during my many years on this earth, that being curious is often a path paved with joy.

My most recent discovery along the path of curiosity (also often referred to as "disappearing down a rabbit hole") is English artist Dame Laura Knight and her friend Lilo Smith.


This painting popped into my Facebook newsfeed and spoke to me immediately.





Isn't she wonderful?!  


I have fallen in love with her.  

She seems to possess both wisdom and mischief, and a gracious plenty of both.  She's a woman I think I would have enjoyed knowing.  A woman who had experiences I would have enjoyed hearing about and learning from.


Wanting to know more about this woman sent me, of course, down a rabbit hole.


 I found that her name was Lilo Smith ( née Loveridge), affectionately known by family and friends as Granny Smith.


This beautiful poster of an original Oil on Canvas, courtesy of Nottingham Castle Museum entitled ‘GYPSY SPLENDOUR’ aka ‘FINE FEATHERS'. 

"In the mid-1930s Knight befriended and painted groups of Gypsies at the Epsom and Ascot racecourses. Knight frequently returned to the racecourses and painted from the back of an antique Rolls-Royce car, which was large enough to accommodate her easel. Often pairs of Gypsy women would pose at the open door of the Rolls-Royce, with the race-day crowds in the background. From Epsom, Knight was invited to the Gypsy settlement at Iver in Buckinghamshire. Knight visited the Iver settlement, normally closed to outsiders, every day for several months in the late 1930s. These visits resulted in a series of portraits of great intensity. Two women, in particular, sat a number of times for Knight: Lilo Smith, the subject of Old Gypsy Women (1938) and Gypsy Splendour (1939), and her daughter-in-law, Beulah.  Gypsy Splendour was shown at the Royal Academy in 1939, the year Lilo Smith died.(From Wikipedia)


Copies are available here



More about Dame Knight from Wikipedia - https://en.m.wikipedia.org/wiki/Laura_Knight

A short excerpt:  "Dame Laura Knight, (née Johnson), (4 August 1877 – 7 July 1970) was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Knight was a painter in the figurative, realist tradition, who embraced English Impressionism. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists.


Laura Knight

Dame Laura Knight circa 1910.jpg
Dame Laura Knight circa 1910
Born
Laura Johnson

4 August 1877
Died7 July 1970 (aged 92)
London, England
EducationNottingham School of Art
Known forPainting
Notable work
The Nuremberg Trial (1946)
MovementImpressionism
Spouse(s)Harold Knight
AwardsSilver Medal at the 1928 Amsterdam Art Olympics
Websitewww.damelauraknight.com

In 1929 she was created a Dame, and in 1936 became the second woman elected to full membership of the Royal Academy.  Her large retrospective exhibition at the Royal Academy in 1965 was the first for a woman. Knight was known for painting amidst the world of the theatre and ballet in London, and for being a war artist during the Second World War. She was also greatly interested in, and inspired by, marginalised communities and individuals, including Romani people and circus performers."




More about Dame Knight and Lilo Smith can be read in Rosie Broadley's SEARCHING FOR KNIGHT'S GYPSY SITTERS 

And a short video about the painting